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16.12.2008
How to get the Auto-Tune Vocal Effect
Unless you happened to stop listening to any pop music back in '97 (and if so, check out the YouTube links at the end of this article), you are no doubt aware that in addition to its adoption as the worldwide standard in professional pitch correction, Auto-Tune has also gained renown as the tool of choice for what has become one of the signature vocal sounds of our time.

First heard on Cher’s 1998 mega-hit “Believe,” variations of the Auto-Tune Vocal Effect have gone on to appear on songs from a huge variety of artists. Most recently, its use by T-Pain (and many others in the pop, R&B and hip-hop communities) has rekindled intense interest in it. Since there seems to be a lot of mythology about how it’s accomplished, we thought the time was right to provide the official Antares version. So, here it is.
What is it?
Quite simply, the Auto-Tune Vocal Effect is what is technically known as “pitch quantization.” That is, instead of allowing all of the small variations in pitch and the gradual transitions between notes that are a normal part of singing (and speaking, for that matter), the Auto-Tune Vocal Effect limits each note to its exact target pitch, stripping out any variation, as well as forcing instantaneous transitions between notes.
How to do it
There are basically two key elements to producing the Auto-Tune Vocal Effect:
1. Retune Speed = 0
2. Pick the right scale
That’s pretty much it. Really.
There are, however, some possible variations in approach, depending mainly on whether you want to use Automatic Mode or Graphical Mode. Here're the details:
Automatic Mode
1. As we already mentioned, start by setting Retune Speed to 0.
2. Set the Key and Scale to the key and scale of your track. (If you
don't know the key of your track, trial-and-error works pretty
well. Start by setting Major or Minor and then just trying one Key
after another until one sounds good.)
3. Play your track. If you like the result, you’re done.
4. If you’re not happy with the result, try one or more of the
following:
* Edit the scale notes. Depending on the specific vocal line,
adding or removing scale notes can give you distinctly
different effects.
* Try a different key and/or scale.
* Try the chromatic scale (although our experience is that if
you’re going for the classic effect, chromatic rarely
provides it).
* Try a Retune Speed of 1 or 2 or a bit slower. This will
allow slight pitch variations and slightly less instant note
transitions, but may result in the right effect for a
particular performance.
5. Don’t forget your host’s Bypass function. Limiting the Auto-Tune
Vocal Effect just to specific phrases can provide sonic contrast
in your song.
Graphical Mode
1. Start by setting the Graphical Mode's Retune Speed to 0.
2. Switch to Auto Mode and select any Chromatic Scale (the Key
doesn't matter).
3. Return to Graphical Mode and track your audio.
4. Select the Line Tool and click the Snap To Note button (if it's
not already on).
5. Draw individual lines for each note you want to appear in the
melody. To ensure instantaneous transitions between notes, be sure
that each line butts up against its neighbors. (You could also
draw the entire melody as one interconnected line object, but
using one line per note makes subsequent editing a lot easier.)
6. Play your track. If you like the result, you’re done.
7. If you’re not happy with the result, simply select the Arrow Tool
and experiment with changing the pitch or length of individual
lines. The beauty of using Lines in Graphical Mode is that you can
literally sculpt any melodic contour to get exactly the effect you
desire.
Either way, have fun!
As promised back at the start of this article, here are links to a variety of artists using the Auto-Tune Vocal Effect:
Introduction to Voice Thing! on YouTube
Download Demo:
Windows: http://www.hitsquad.com/smm/programs/Auto_Tune/
Mac: http://www.hitsquad.com/smm/programs/AutoTuneOSX/
Thanks to Antares (the developers of Auto-Tune) for allowing us to reprint this article.
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27.10.2008
