Boom Recorder has been designed to be used during the high stress production of a TV/film shoot, a concert or a live stage performance.
Boom Recorder manages many metadata fields that are used during a film production, making it easy to keep track of the many audio files in post production. For concerts and live stage performances it is possible to record up to 64 (Boom Recorder Pro) tracks continuously for many hours.
- 16-bit, 24-bit integer and 32-bit float sample formats.
- 48 kHz, 96 kHz, 192 kHz and other sample rates, with optional pull up or pull down for each.
- Broadcast WAVE Format (BWF) audio file format; compatible with most digital audio and video editing workstations.
- Can either jam or continuous sync against timecode signal read from any audio channel, or use wall clock time in cases where no timecode signal is available.
- Long recordings are split over multiple audio files; the maximum file size is configurable.
- Multi-polyphonic file handling; allows multiple copies of audio in any combination of mono, stereo and polyphonic audio files.
- Stores metadata such as project, scene, take, roll, date, and track names in iXML chuncks, and creates sound reports.
- And many more features.